EVERYTHING GOES JUST FINE. SUCCES.
Tea Kantoci, Luana Lojić and Paula Tončić
24th November 2025
online
Everything Goes Just Fine. Success. explores the leaky object — never whole, always seeping, spilling, and continually reshaping itself. This inquiry expands the idea of a “leaky sentence” and carries it into the material, spatial, and performative logic of the leaky object: an object that refuses closure, that constantly generates leakages on semantic, spatial, and temporal levels.
It does not represent — it releases. It does not seal — it opens.
Instead of a linear genealogy, it offers multiple simultaneities that never fully align.
The work hovers between excess and absence, between success as completion and success as an ongoing, always partial incompleteness.
RESEARCHES: Luana Lojić, Paula Tončić, and Tea Kantoci
Luana Lojić was born in Pula in 1991. She is engaged in applied biophilia and internet nomadism. From poetry for stones to living installations, video, film, voice over and live art that thematize the relationship between man and systems, perceptions, and the materialities surrounding him, she tries to comprehend the natural processes outisde and inside the notion of senses. She is a member of a collective of 6 artists The Lovers engaged in the interdisciplinarity of sciences and arts and M28 art collective.
Paula Tončić (Zagreb, 1997) graduated in animation and new media from the Academy of Fine Arts in Zagreb. After her studies, she moved to Berlin, and in her artistic work she explores the archiving, classification and documentation of strange objects. By highlighting their grotesque elements, she deals with the boundaries of reality and fiction, focusing on the girl’s experience, the female gaze and intimacy. Inspired by fictional literature and trash horror cinema, she explores liminal spaces and the physical and semantic transformation of materials across media. She won the Grand Prix award at the 37th Youth Salon.
Tea Kantoci is a curator and researcher whose work unfolds at the intersection of performance, experimental formats, and interdisciplinary artistic practices. She is part of the curatorial team behind Antisezona, a year-round platform for contemporary performance at the Museum of Contemporary Art in Zagreb, and co-curates Improspekcije / Afterworld, a festival that explores embodied futures through live art. Her practice is grounded in long-term, process-based collaboration and infrastructural imagination. She is the co-founder of Društvo 11 lisica, a reading club together with dramaturge Nina Gojić. She holds degrees in journalism, fashion theory, and museum studies, and is a graduate of the Center for Women’s Studies in Zagreb.
This programme is a part of the Life Long Burning Creative Europe project.